When it comes to the rule of “WHO v WHOM”, many websites place emphasis on knowing the difference between subjects and objects, or go on and on about clauses and prepositions. But here’s a simple trick that doesn’t include any of that stuff: Rephrase your sentence using HIM. If it still makes sense, use WHOM. … Continue reading WHO or WHOM? There’s an easy way to choose
I am thrilled to share the news that WHISPERS IN THE CANYON, the first book of the Donovan Family Saga, has been released by Soul Mate Publishing and is now available on Amazon! In the 1880s Arizona Territory, Jesse Travers' father dies and leaves her with a bankrupt ranch and a deep well of distrust. … Continue reading WHISPERS IN THE CANYON Now Available!
A writer asks if his work might suffer because he doesn’t write “antagonists”, by which he means there is no specific person for his hero to fight. He writes books about climate change and how it affects his characters. My answer: “Of course you have an antagonist―it’s NATURE”. Traditionally, there have been five types of … Continue reading Does Your Story Need a Bad Guy?
The poetry of language once Began my love of words, But poetry is giving way To easiness in verbs. I dedicate these simple lines To those whose memories, like mine, Allow for lit in lieu of lighted, And shone instead of shined. For we who strove instead of strived, At least we've not been … Continue reading ELEGY: On the Irregular Verb
1880s Arizona. Damaged almost beyond hope, Jesse inherits a bankrupt ranch. Survival comes at an inconceivable price: she must learn to trust the man who killed her brother. That's the logline from my debut historical novel, WHISPERS IN THE CANYON*. I am absolutely delighted to report that it will be released in late August by … Continue reading My Debut Novel To Take Flight!
Last week I got an e-mail from a reader about punctuating dialogue. I was glad to get the question, because it's also a pet peeve of mine. Here's her question: I've been reading a lot lately, and I also do beta-reading for some of my writer friends. My problem: it seems like everyone has a … Continue reading DIALOGUE TAGS: A Punctuation Primer
If you're like me, when you get to the end of a manuscript, you're a few thousand (or maybe ten thousand) words over the optimal word count for your genre. A lot of common editing advice can make a difference in MS length. Directives like “find stronger verbs” will eliminate some adverbs, while “make sentences … Continue reading 3 Simple Ways To Reduce Your Word Count
Anyone who's a fan of the Old West is familiar with the Colt .45 and the Buntline Special. Like most old & new revolvers, both of these have a rotating 6-chamber cylinder. But did you know there was also a gun with six rotating barrels? That's right. Ethan Allen (no relation to the Revolutionary War … Continue reading Tuesday Trivia: The Wackiest Gun In The West
We've all heard about the RULES we need to follow in order to be “good” writers. No adverbs, no passive voice, no split infinitives, show don't tell, limit dialogue tags to “said” & “asked”, use only one POV per chapter―these are just a few of the absolutes we're faced with every day. I've heard some … Continue reading 7 Great Authors Take on the “RULES OF WRITING”