There is a great benefit to automated checkers, because they’ll alert you to the possibility that you’re spelling a word incorrectly, using an inordinate number of adverbs, repeating pet phrases. But there’s more to good writing than that, and here are four of the reasons that you need a great editor.
1.) SPELL CHECKERS: No spell checker has every English word built into it, and that goes double for common foreign words and phrases (“joie de vivre” is one my checker always flags, while it lets “da nada” go when it should be “de nada”). What’s more, spell check won’t tell you if you’ve used the wrong word.
Having worked in financial services for twenty-odd years, I constantly type “form” when I mean “from”. Since “form” is an English/American word and it’s spelled correctly, it will never be flagged, and it’s up to me to catch every one. I also make a mistake when I type “to the”; as my thumbs seem to work more slowly than they should, what comes up quite a bit is “tot he”. As both “tot” and “he” are words in English, it doesn’t get flagged, regardless of the fact that it makes no sense at all!
Examples that I’ve seen others make just within the past few weeks are:
He “lied” on the floor (and probably also lied to his boss at the office!)
He held a “taught” rope (yes, a really smart rope!)
He was easy “pray” (a very religious guy.)
He “expanded” on the subject (as he expanded his belly with a big meal.)
All of these are words in English, correctly spelled, and they will not be flagged. Though that last definition might be stretched (ahem!) to include conversation, the better word is “expounded”. But spell check won’t tell you that.
2.) GRAMMAR CHECKERS: Most of these, in my experience, have severe limitations. For one thing, they’ve usually been set up to identify adverbs as all words that end in “-ly”. So whether you’re writing about a wind that comes up “suddenly” or a “cuddly” teddy bear, you’ll get a flag. But say you write about a wind that comes up “all of a sudden”: the checker won’t flag your adverbial phrase, which can be a more egregious transgression. For now, not only have you used one unnecessary word, you’ve actually used four of them.
For the record, and as I’ve stated in previous posts, I am in favor of adverbs when they’re used judiciously. “Suddenly” happens to be one that, IMHO, is seldom needed. And if you use certain checkers, they won’t flag words like “seldom” as adverbs… It doesn’t end in “ly”, so well, you’re on your own there.
3.) DICTIONARY/THESAURUS: I have a friend who writes in English, her second language. It floors me that she would even attempt to do this, as after eight semesters of French, I can barely spell “joie de vivre”. But she does a magnificent job. We had quite a discussion a few weeks ago about the phrase “common practice”. The sentence was a question: Is it a common practice? Word™ kept telling her it should be “practices”. Why? because it was seeing “practice” as a verb, and the correct declention would be “it practices”. But here, it’s being used as a noun, and Word has no way of understanding the difference.
The biggest problem with on-line dictionaries and thesauruses (thesauri? My Latin’s no better than my French!) is lack of context. Take “expand” from Item 1, above. I checked four different sources and as a primary definition got: 1. stretched, 2. swollen, 3. broadened, 4. elaborate. Without the context of American English, where “expand” is usually understood to mean “grows” or “stretches”, the writer may feel he chose the best word for the job. He was going for the more obscure meaning of “elaborate”, and the dictionary/thesaurus would never tell him any different.
Context is everything. And no on-line checker is going to give you context.
4.) STYLE: Regardless of the perceived perfection of any automated checker, it will not take your individual style into consideration. If you write a horror novel, your style is going to be much different than if you write a cozy mystery. A dystopian novel will not utilize the same language as a historical romance. Any checker that professes to be “the best for everyone” can’t live up to its hype, because it will never recognize your style as distinct from everyone else’s.
Moral of the story: Take all automated recommendations with a grain of salt, and then have your story or manuscript reviewed by an editor. It doesn’t have to be a paid professional: if you’re lucky enough to have a critique partner or someone in your writing circle that can do the job, by all means make use of their knowledge. If not, seek someone out. Someone who has an AWESOME command of both language and grammar, and who understands the complexities of style.