How does it happen? How is it that this perfectly written, perfectly polished, perfectly appealing manuscript of mine gets so little positive attention?
Of course I’m kidding. First of all, I know that nothing’s perfect. Secondly, I know that nothing will appeal to everyone. How many book are there that I haven’t taken out of the library? Tens of thousands. How many authors have I read once and not returned to, because they weren’t “my cup of tea”? Hundreds. How many times have I started reading a book and put it down before I finished? Well, that last number is probably 3 — I’m pretty optimistic that even the most unappealing work will eventually get better. After all, it did find a publisher!
Which, at this point, is more than mine has. I’m still trying to snag an agent. And that’s not as easy as I thought it might be when I started my quest.
Specifically, the number of rejections I’ve had on my query letter just hit 30. I think this is a milestone — it shows both that (a) traditional publishing is indeed a subjective business, and (b) that I’m persevering in spite of the obstacles. One I can’t do anything about, the other I can be proud of.
As I review the rejections, I’m struck by one thing: in an industry that requires absolute adherence to the guidelines in a query letter, there’s no cut-and-fast standard for responses. I’ve received everything from a 4-word text (“Thanks not for us”), to extremely helpful critiques from agents who enjoyed my work and wanted me to know specifically why they passed on it. I’ve mentioned a couple of those letters here previously and I’ve used the advice in all of them to improve my story.
Most letters are either kind or professional; even the form letters have thanked me for considering the agent. But a couple have registered pretty high on the rudeness scale. So how do I keep from getting aggravated, depressed or outraged?
Frankly, sometimes I don’t. But I try to keep those times to a minimum and go on to something that’s going to help me a lot more than grousing. Recently I’ve begun to send out two more query letters for every rejection I get, and two more for every query that hits its “expiration date” with no agent response. That way, each rejection turns into two new prospects for publication.
And I constantly remind myself that really great authors have received just as many, just as awful rejection letters to their masterpieces. Did you know that Rudyard Kipling once received a letter telling him he “didn’t know how to use the English language”? Emily Dickinson was told her work was “devoid of true poetical qualities“. Chicken Soup for the Soul received over 100 rejections, while the first Harry Potter book was rejected 14 times. Ouch! In the long run, I bet it didn’t hurt as much to get those letters as it did to send them!
So I thought I might try my hand at writing a rejection — specifically a rejection of a classic novel. I decided to turn Jonathan Swift’s delightful irony around; I’ve taken cues from responses I’ve received, included a few digs of my own, and created the following rejection letter for Gulliver’s Travels.
Dear Dr. Swift;
Thank you so much for your query, but we’re going to decline at this time. I know you’ve put a lot of time and effort into your project, however, your characters didn’t seem realistic. A ships’ surgeon who gets involved in shipwrecks? People who wage war for no reason? Where on earth did you get those ideas? And talking animals — well, it’s pretty cliché. You’re beating a dead horse there.
In addition, it is considered quite rude to refer to vertically-challenged folks as anything other than “little people”. I do so wish that you authors would observe the current conventions and mores.
I would also recommend researching “limited third-person POV”. Rather than hopping from one character’s thoughts to another’s, you should write your story from the point of view of a single character. Granted, this can be quite challenging at times when the character is unconscious, but rules are rules after all.
We also encourage you to gather beta readers and critique partners to help hone your craft; their suggestions can be invaluable, and you might have avoided some of the aforementioned pitfalls by seeking them out. Please keep reading writers’ advice booklets, taking writing courses, and study some books on writing well. And practice your writing — it is a learned skill.
Or perhaps consider that this business may not be for you.
Thank you for considering us for your work and we wish you well in the future.
Bud I. Donhafacloo
Snobb & Bish Literary Agents
So tell me, have you received a rejection letter that made you wonder why you should keep going? Do you want to try your hand at rejecting a classic? Submit your “G-Rated” letters below — and have a ball!